Listen here: soundcloud.com/timeattendant/sets/bloodhounds
Set within a landscape of sugar beet factories, deep murky fishing ponds and nettle strewn country lanes, Bloodhounds is a sonic exploration of a childhood spent in the English countryside.
Time Attendant is Paul Snowdon, a painter and musician recovering from a rural Northern upbringing by eking out a liminal existence across South East London bunkers. Following on from the highly acclaimed Treacherous Orb EP (More Than Human) and from startling contributions on The Outer Church compilation (Front & Follow), Moon Wiring Club’s specially curated Down By The Silver Sea (Gecophonic), and an astonishing set in late 2013 (accompanying the silent film L'inferno (Helios Film version, 1911)) at the BFI in London, Exotic Pylon is slobberingly psyched to present Time Attendant’s debut album Bloodhounds which drops on vinyl and digital on July 7th 2014.
Continuing and expanding upon the strange strain of medieval acid (©Kek-w (Hacker Farm)) first explored on 2012’s debut 12” Tournaments Snowdon has pushed his highly original and peculiar vision into the strangest of corners collaging stuttering sine beats, lost in fog voices, surreal fanfares and sci-fi dub reverb around a minimal but endlessly flexible array of analogue boxes with just a modicum of digital post-production. This is genuinely Radiophonic – an unconscious misuse of equipment to paint inexpressible sound worlds, Snowdon being as influenced by contemporary electronica as he is by the secret history of electronics reared in academic laboratories from the early 20th century and onwards.
Like unearthing lost Brutalist architecture at a village fete, Time Attendant brings out the paradoxical pains and pleasures from an environment where the concepts of industrial and rural are rendered meaningless. Like the beautifully unique paintings that Snowdon creates Bloodhounds is the pinnacle of his sonic vision thus far – an earthbound sci-fi expose of the mud and stone beneath our feet.